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New York and the Basketball world LOVE Jeremy Lin! Check out a time lapse video of a mural being done by ANIMAL NY.
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New York and the Basketball world LOVE Jeremy Lin! Check out a time lapse video of a mural being done by ANIMAL NY.
– Via Hollywood Reporter –
With more than 32 million songs from the Fox series digitally downloaded in the U.S., the cast of Glee has become the No. 8 digital artist of all time, according to SoundScan data provided by the label, joining the likes of Rihanna, Lady Gaga, Katy Perry and The Black Eyed Peas, The Hollywood Reporter has learned exclusively.
“There has never been anything like Glee,” Columbia Records soundtrack executive Glen Brunman said of the series, which is halfway through its third season. “The idea that 58 episodes of a television show can generate sales of 32 million downloads is simply staggering. We are deeply indebted to the artists and songwriters whose music inspires us all.”
In addition, the Glee cast — which includes Lea Michele, Chris Colfer, Cory Monteith, Darren Criss and Amber Riley, among others — continued to build on its record for most entries on Billboard’s Hot 100 singles chart; with 193 and counting, it has long surpassed Elvis Presley, The Beatles and James Brown.
Added to the series’ Hot 100 record is a Riley-fronted cover of Dolly Parton/Whitney Houston’s “I Will Always Love You,” which sold nearly 45,300 tracks after it aired mere days after Houston’s Feb. 11 death. Joining the Riley rendition are covers of “Bad” and “Smooth Criminal” from Glee’s Michael Jackson tribute episode; both also proved to be big sellers for the series, with more than 48,700 and 161,400 downloads, respectively.
For its part, Glee has sold more than 42 million songs and more than 12 million albums worldwide. The series has scored three consecutive No. 1 releases with soundtracks Glee: The Music, Volume 3 Showstoppers; Glee: The Music, The Power of Madonna; and Glee: The Music, Journey to Regionals.
The series has two platinum albums (sales of more than 1 million) with Glee: The Music, Volume 1 and Glee: The Music, The Christmas Album, as well as three gold (500,000) albums with Glee: The Music, Volumes 2, 3 and 4, with the latter picking up a Grammy nomination for best compilation soundtrack for visual media.
The series, co-created by Ryan Murphy and Brad Falchuk, celebrated its 300th musical performance — a mash-up of Adele’s “Rumor Has It”/”Someone Like You” — in October. The song topped the iTunes singles chart the morning after it aired as part of Glee’s Nov. 15 episode.
Glee returns with its spring premiere on Tuesday, April 10 at 8 p.m. on Fox.
Friday March 2, 2012
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– Via Bleacher Report –
According to BoxingScene.com, welterweight champion, Manny Pacquiao is in talks to take his product line from Nike to NBA legend Michael Jordan’s own Nike branch-off, the Jordan Brand.
Pairing up with one of the most well-known sports figures of all time will take Pacquiao’s already enormously successful career to a new level, even after he does eventually retire from boxing.
Hooking up with Nike has given Pacquiao’s career a boost, as his line is big success with his ever-growing fanbase, and adding Jordan’s name anywhere near Pacman’s will be a double threat that would surely boost sales of Pacquiao endorsed merchandise even more.
Fans in Pacquiao’s home country of the Philippines already compare him to Jordan, according to Antony Gordan, president of Creative Talent & Advisory Group, the company heading the talks about switching Pacman over to the Jordan Brand from Nike.
“…the infatuation of sports fans in the Philippines and surrounding areas in Asia with basketball finally hit a ‘marketing tipping point’ when the local media began branding Pacquiao as the so-called ‘Michael Jordan of boxing,'” Gordan said.
Along with fellow welterweight champ Floyd Mayweather, Pacquiao is already one of the most known boxers since Mike Tyson, so it would be a no-brainer for Jordan to bring Pacquiao on board with the Jordan Brand, making him the third boxer to team up with the Jordan brand behind Roy Jones, Jr. and Andre Ward.
With Pacquiao saying he has two or three more fights left in him, he most likely has around one or two more years left in the sport of boxing. The Jordan Brand getting the hype surrounding partnering up with Pacquiao as he bids farewell to the sport that made him a worldwide star will help ensure Pacquiao’s presence in boxing won’t be gone even though he isn’t fighting anymore.
If the deal does indeed go through, as it appears it will, Jordan would give Pacquiao’s career a breath of fresh air, one that could have his career soaring, like Jordan once did on the basketball court.
– via Sporting News –
On the day before this year’s Slam Dunk contest, Heat forward LeBron James summed up the problem with the event—there isn’t much incentive for star players to be in it. James explained that the contest isn’t really his kind of thing, because he is a “game” dunker, not a props kind of guy. But, asked if he would participate if there was a $1 million prize on the line, James did not hesitate: “I would reconsider. Wouldn’t you?”
Of course. The question of why NBA stars don’t participate in the dunk contest is a common one around the league, but the reality is, they hesitate to say the obvious—they don’t compete because the prize money isn’t big enough. The $35,000 is a nice payday for young players still on their first contracts and those still looking to make a name for themselves. It’s not particularly significant for James, who earns more than five times that much in a single NBA game.
So you get the kind of field we had Saturday night, which actually featured some pretty good dunks but failed to register much on the excitement meter. The winner was Utah Jazz forward Jeremy Evans, who has appeared in just 16 games this year and averages 1.7 points per game. He was challenged by Paul George of the Indiana Pacers, Chase Budinger of the Houston Rockets and Derrick Williams of the Minnesota Timberwolves.
George was the only starter in the group and, before the contest began, while he was shaking the hand of Dwyane Wade’s son, Hall of Famer Charles Barkley said, “America has more of a chance of knowing who Dwyane Wade’s kid is than who these guys are.”
The dunk contest tends to ebb and flow through the years and, when you have a dull one like this, it’s easy to contemplate getting rid of it altogether. Dwight Howard resurrected the contest with his creativity and his addition of props—who can forget the phone booth in 2009?—but props have become so common that they’re now unremarkable.
George’s glow-in-the-dark dunk was cool, as was Evans’ two-ball dunk with an assist from Jazz teammate Gordon Hayward. But how many times can we watch someone jump over something, whether it’s a teammate (or two, as George did), or P-Diddy (as Budinger did), or a motorcycle (as Williams did)? Blake Griffin jumped over a car last year—that pretty much exhausts the possibilities when it comes to things to jump over.
The dunk contest is exhausted. There isn’t much left that can wow us, there isn’t much left that we will remember. Not unless the NBA can get its star players involved.
That comes back to money. We can sit and reminisce about the days when Michael Jordan and Dominique Wilkins were battling for dunker supremacy, but we can’t ignore the fact that they were doing that for very real financial reasons. They were not doing it for the glorification of the sport. Jordan won it in 1987 and ’88, and in those years, he made about $1.5 million combined. The dunk paycheck was big for him, and helped launch his very lucrative endorsement career. When Jordan got a raise to $2 million in 1989, he suddenly stopped competing in the dunk contest.
It’s time, then, for the NBA to make a choice. If the dunk contest is to be taken seriously, then it is going to have to be financed seriously—and yeah, it might take $1 million, maybe to charity, maybe to the player, maybe to a mix of the two. But if that can’t happen, it could be time to put the contest out of its misery.
– Via Sporting News
NASCAR had the makings of a 2012 season opener for the ages.
It was coming off a 2011 season finale at Homestead that ended with the championship in a tie, with the race winner Tony Stewart capturing the title over Carl Edwards, who had finished the race in second.
It had changed the rules at Daytona International Speedway to eliminate the tandem drafting that fans raised hell about as drivers remained paired up the entire race without the dicey racing featured courtesy of pack drafting.
And it had the Cup debut of Danica Patrick, only the third woman to compete in the Daytona 500.
All that momentum was put on hold on a wet Sunday afternoon.
Intermittent rain showers throughout Sunday resulted in NASCAR’s postponing the Daytona 500—a history-making moment in itself as no Daytona 500 in the first 53 years of the event ever had to be pushed to a later date—to noon Monday.
The forecast for Monday isn’t much better than it was for Sunday. The National Weather Service predicts a 70 percent chance of rain until 30 percent after 6 p.m.
But whether it’s run Monday, Tuesday or a later date, the damage has been done. The crowd won’t approach the expected 180,000. The television numbers won’t break any records.
Instead, the 2012 Daytona 500 will be remembered at least in part for a day of frustration amid the rain.
“I will stay here all week to have a shot at taking that trophy home,” five-time Cup champion Jimmie Johnson said. “We will just play it by ear. One thing about this track that is nice is even if it does rain, a green race track isn’t a problem here.